Felix Contreras

Fifty years ago, Johnny Cash performed at Folsom State Prison in Folsom, Calif. The January 1968 concert and live album it produced, At Folsom Prison, helped revitalize Cash's career, inspiring him to testify for prison reform and cementing his reputation as a voice for the downtrodden.

There are a few lines from the oft-covered song "México Americano" that sum up the experience of millions of folks in the U.S. and have always seemed to me to be the ultimate expression of patriotism:

Por mi madre soy Mexicano. (From my mother I am Mexican.)

Por destino soy Americano. (By destiny I am American.)

Rudy Van Gelder, an audio recording engineer who captured the sounds of many of jazz's landmark albums, died Thursday morning in his sleep. He was at his home studio in New Jersey, according to Maureen Sickler, his assistant engineer. He was 91.

Alt.Latino's Puerto Rican Deep Cuts

Jul 2, 2016

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Ralph J. Gleason is my hero.

It's impossible to put an exact date on it, but I think I started reading his column in Rolling Stone in the summer of 1973. I was 14 years old and already immersed in music. Reading him, I discovered you could write about music and get paid for it — and then I discovered his writing was just as immersive as the music we both loved.

Singer Jimmy Scott died of natural causes Thursday morning at his home in Las Vegas at age 88, according to his booking agent, Jean-Pierre Leduc.

Scott suffered from Kallmann's syndrome, a lifelong affliction that prevented his body from maturing through puberty. The condition slowed his growth, leaving his stature at 4 feet 11 inches until his late 30s. It also affected his vocal cords, giving him a high voice that was often misidentified as a woman's.

Marian McPartland, who gave the world an intimate, insider's perspective on one of the most elusive topics in music — jazz improvisation — died of natural causes Tuesday night at her home in Long Island, N.Y. She was 95.

It is not easy to play both jazz drum set and Afro-Caribbean percussion. Lots of drummers do it, but few have mastered it in a way that makes their sound in either style unmistakable from the first beat.

The music community lost one of those true innovators Wednesday with the death of percussionist Steve Berrios in New York at age 68. Berrios could move seamlessly from jazz to Afro-Cuban rhythms in a way that perfectly reflected his bicultural roots.

The percussionist and bandleader Tito Puente would have celebrated his 90th birthday this weekend on April 20. And the recently released box set Quatro: The Definitive Collection is a great place to start celebrating the once and forever King of Latin Music. It captures the driving sound of big band mambo and cha-cha-cha that launched people onto dance floors for decades.

Click the audio link to hear Alt.Latino's Felix Contreras and Jasmine Garsd discuss the Latin Grammy Awards with Tell Me More's Michel Martin.