Glen Weldon

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

MARY LOUISE KELLY, HOST:

This week, with Linda off galavanting around New York, Stephen and I are joined by the great and good Margaret Willison and Chris Klimek to discuss a certain quiet, subdued and exceedingly well-mannered topic that somehow we hadn't yet gotten around to: The Paddington films.

It's not about the numbering.

You'll be hearing a lot this week about the publishing milestone DC Comics' Action Comics has achieved, with the publication of issue #1000, on shelves (physical and digital) today. And I don't mean to dismiss that achievement, believe me. It's 2018, and periodical publishing is a lot like the Man of Steel in the penultimate panel of 1992's "Death of Superman" storyline: Beaten to a bloody pulp and hovering at death's door.

Call them the Mighty Marvel Movie MacGuffins. They're the glittery objects that drove the plots of several individual Marvel movies and that collectively shaped the direction the entire Marvel Cinematic Universe has been heading (almost) since its inception.

They are the Infinity Stones — immensely powerful gems that contain and channel elemental forces of the universe. They're what the villains crave and what the heroes protect. They can be used to destroy or create.

Mmmmmostly that first thing.

The original Lost in Space, which ran on network television from 1965 to 1968, began as a straightforward, if high-concept, adventure show: A colony spaceship carrying a nuclear family, a dashing pilot and a sniveling doctor got stranded on a remote planet. They had adventures while wearing v-neck sweaters over their turtlenecks, presumably because Irwin Allen, who produced the show, imagined that the future would be a chilly place. Or maybe he got a deal on velour, who knows.

"I'm — I'm literally vibrating with excitement."

That's it — that's when we knew. We had barely even introduced this week's fourth chair — charming host of NPR's Bullseye and podcast network mogul Jesse Thorn — when he volunteered how excited he was to discuss the venerable and venerated PBS staple Antiques Roadshow. If you know and love Jesse's smooth, sardonic persona from his show or his podcasts, you'll probably enjoy hearing him wax fanboy-passionate about objects that have a story — and about this very odd, and oddly appealing show.

Updated 1:25a.m. ET

The 2017 Emmy Awards were broadcast Sunday night on CBS. Below is the list of nominees and winners. (Winners are in bold italics.)

Outstanding comedy series

  • "Atlanta" (FX)
  • "Black-ish" (ABC)
  • "Master of None" (Netflix)
  • "Modern Family" (ABC)
  • "Silicon Valley" (HBO)
  • "Unbreakable Kimmy Schmidt" (Netflix)
  • "Veep" (HBO)

The first book of the Harry Potter series went on sale in the U.K. 20 years ago today. It offers a convenient excuse to reacquaint yourself with a world before anyone on this side of the Atlantic had heard of muggles, horcruxes or pensieves, before tourists would crowd into London's Kings Cross railway station simply to peer wistfully at the space between Platforms Nine and Ten.

Here's the first story NPR ever aired about Harry Potter — a wonderful piece by the late Margot Adler, from All Things Considered in 1998.

Some gems, from that bygone era:

"Why is a welder like a woman in love?"

I'm 7 years old, standing between the two dogwood trees in my backyard. It's autumn; there's a crispness in the golden, late afternoon air. I've taken the hood of my parka and thrown it over my head, but my arms are not in the sleeves. The coat falls over my narrow, bird-boned shoulders and down my back.

Like a cape, you see.

Chuck Barris, the game show producer, emcee, author and songwriter who died Tuesday at his home in Palisades, N.J., at age 87, was in his time called "The King of Shlock," "The Baron of Bad Taste" and "The Ayatollah of Trasherola."

(... In fairness: It was the '70s.)

Robert Silvers, whose long career as an editor included terms at The Paris Review, Harper's and, most notably, as co-founder of The New York Review of Books, died Monday at his home in Manhattan. He was 87.

Silvers launched The New York Review of Books in 1963 with Barbara Epstein, intending to raise the standard of book reviewing. In its pages, a given book under consideration could be little more than a jumping-off point for an extended essay that directly engaged the political and cultural moment.

So. How'd you do?

Did you follow my advice in making your Oscar pool picks?

... You did? All of them? Hunh.

Well then. That means you got 13 out of the evening's 24 categories correct.

That's ... 54%.

So. Yes. Well. Cough.

Updated at 4:10 p.m. ET

A literary treasure buried for more than a century has been unearthed by Zachary Turpin, a grad student at the University of Houston.

Updated 10:57 a.m.

Updated 9:53 a.m.

Updated 9:25 a.m.

When the nominees for the 2017 Academy Awards were announced this morning, La La Land racked up 14 nods, tying records held by Titanic and All About Eve.

Some people possess a quality — a highly specific fuel mixture of intelligence and humor — that makes them seem like they've always got a secret they want to share with you, and only you.

It's not obvious. That's the whole point of it: It lives on the sly, this quality, around the edges of what they say and do. It sidles up to you and draws you in, it whispers to you that you are important and special, and that's why this person chose you. You share something, the two of you.

Actor and writer Gene Wilder, who brought his signature manic energy to films such as The Producers, Blazing Saddles, Young Frankenstein and the role that forever ensconced him in the collective memory of a generation of children, Willy Wonka & the Chocolate Factory, has died. He was 83.

Wilder died early Monday at his home in Stamford, Conn., of complications from Alzheimer's disease, according to a statement from his nephew Jordan Walker-Pearlman.

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

MICHEL MARTIN, HOST:

At the San Diego Comic-Con now underway, toys, comic books and costumes fill the exhibit floor with color and light. It's a crush of bodies buzzing on adrenaline and fan joy.

My wife's the reason anything gets done

She nudges me towards promise, by degrees

She is the perfect symphony of one

Our son is her most beautiful reprise

We chase the melodies that seem to find us

Until they're finished songs, and start to play

When senseless acts of tragedy remind us

That nothing here is promised, not one day

This show is proof that history remembers

Monkey See contributor/longtime nerd Glen Weldon recently attended San Diego Comic-Con. He kept a diary during one of the largest media events in the world.

Let's make this perfectly clear at the outset: I don't work for NPR, and what I'm about to say doesn't represent NPR. I'm but a lowly freelancer they're dumb enough to publish a bunch, and what I say now I say as me, which is to say:

1. An inveterate Superman nerd, and

2. A gay dude.

DC Comics has hired Orson Scott Card to write the first two issues of a new digital-first Superman comic. I won't be reading it.

Glen Weldon is a freelance writer and regular contributor to Monkey See.

Let's make this perfectly clear at the outset: I don't work for NPR, and what I'm about to say doesn't represent NPR. I'm but a lowly freelancer they're dumb enough to publish a bunch, and what I say now I say as me, which is to say:

1. An inveterate Superman nerd, and

2. A gay dude.

DC Comics has hired Orson Scott Card to write the first two issues of a new digital-first Superman comic. I won't be reading it.

In 2012, several high-profile comics creators added landmark works to their already impressive legacies. With Building Stories, Chris Ware offered 14 volumes of comics, each with its own meticulous, anagrammatic take on despair, and stuffed them into a box.