Linda Holmes

Linda Holmes writes and edits NPR's entertainment and pop-culture blog, Monkey See. She has several elaborate theories involving pop culture and monkeys, all of which are available on request.

Holmes began her professional life as an attorney. In time, however, her affection for writing, popular culture and the online universe eclipsed her legal ambitions. She shoved her law degree in the back of the closet, gave its living-room space to DVD sets of The Wire and never looked back.

Holmes was a writer and editor at Television Without Pity, where she recapped several hundred hours of programming — including both High School Musical movies, for which she did not receive hazard pay. Since 2003, she has been a contributor to MSNBC.com, where she has written about books, movies, television and pop-culture miscellany.

Holmes' work has also appeared on Vulture (New York magazine's entertainment blog), in TV Guide and in many, many legal documents.

Copyright 2016 NPR. To see more, visit http://www.npr.org/.

Oh, American Idol. You were too good for this world.

OK, maybe not too good. Maybe too rooted in people voting via telephone calls.

You can say this for Sunday night's Oscars: It seemed like a lot of it was going to be about inclusion or lack thereof, and it was.

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ARI SHAPIRO, HOST:

In recent years, the Golden Globes have been picking up steam as a less stuffy, less predictable awards show than most others. From the marvelous hosting of Tina Fey and Amy Poehler for the past three years to glorious little moments like Emma Thompson tossing her shoes in the air, the Globes were starting to get a little bit of air under them — a fun diversion during awards season.

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ARI SHAPIRO, HOST:

We often think of marketing as being about either awareness or persuasion. It seems impossible that Star Wars: The Force Awakens (which opens December 18) needs either one, given its astronomically high profile and the fact that curiosity alone will drive plenty of ticket sales, even for those who will take pleasure in being recreationally disappointed.

The hard numbers on Sunday night's Primetime Emmy Awards told a story that could look a little dull to the glancing eye.

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AUDIE CORNISH, HOST:

This is one in a series of essays running this week and next about the state of television in 2015. The series is based on developments at the recent Television Critics Association press tour in Beverly Hills, Calif., where broadcast and cable networks, along with streaming services like Netflix, presented new and existing shows to TV critics and reporters.

One of the accusations that was often leveled against Mad Men as an examination of social problems was that it paused too often to scoff at how foolish (or sexist, or racist, or environmentally ignorant) everyone was in the 1960s, as if we've outgrown all of it. One of the best things about Show Me A Hero, HBO's dense but involving examination of a dispute over the construction of low-income housing in Yonkers, N.Y. in the 1980s is that there's no smugness to it.

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AUDIE CORNISH, HOST:

Let's get weepy, people. Seriously, seriously weepy. And ... I mean, spoiler alert, obviously. But this show and movie sort of spoils itself structurally, so.

[Note: Listen to the audio above to hear a conversation I had with Pop Culture Happy Hour team member Stephen Thompson about the end of the show.]

Ahead of its fall programming presentation to advertisers in the afternoon, Fox announced Monday that the 15th season of American Idol, which will begin in January 2016, will be the last.

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(SOUNDBITE OF FILM, "THE BREAKFAST CLUB")

ANTHONY MICHAEL HALL: (As Brian Johnson) You see us as a brain, an athlete, a basket case, a princess and a criminal.

AUDIE CORNISH, HOST:

Everything old really is new again. Even aliens.

Fox announced today that The X-Files, which ran on television from 1993 until 2002 and was accompanied by feature films in 1998 and 2008, will be back as a six-episode "event series," with production beginning this summer. Creator and Executive Producer Chris Carter will be in charge once again, and yes, Mulder (David Duchovny) and Scully (Gillian Anderson) will be, too.

After seven seasons, NBC's gently acerbic, lovingly rendered Parks and Recreation ended its run Tuesday night with an extension of the final season's voyage to 2017. In further flashes to a few years or even decades later, we learned about April and Andy's kids, Garry's future as a beloved eternal mayor with an ageless wife, Tom's many hustles to come, Donna's educational foundation, the park Ron will run, Leslie's brilliant career and the true partnership of equals that is her marriage to Ben.

The rain that fell on Hollywood as the hours of red-carpet coverage wore on may have provided one of the evening's best visuals: actual people running around wearing plastic bags as they guided famous people out of limos, under umbrellas and to the waiting microphones of interviewers who wanted to know who made the dress, the shoes, the jewelry. It was literally the packing up and encasing of humanity to keep reality out: What could be more Oscars than that?

The nominees are in, the arguments have been had, and the ceremony is all that's left of Oscar season. (Well, and the griping over what should have won.)

A presidential election cycle looms, but one of the men most associated with covering presidential politics since the first election of George W. Bush won't be sitting in his usual spot: Comedy Central confirmed on Tuesday that Jon Stewart is stepping down later this year from his post at The Daily Show.

As longtime PCHH listeners know, Stephen Thompson hosts a Super Bowl party every year that keeps him hopping and keeps us from discussing the game in real time as we otherwise would. Therefore, we sat down Monday morning to catch up about the game, including the phenomenon of concluding you've witnessed an inexplicable play call from someone who knows much, much more about football than you do. We also talk about the Katy Perry halftime show, the surprisingly sentimental ads and lots more.

[At the top of this post, you'll find a discussion I had with Stephen Thompson, my Pop Culture Happy Hour co-panelist, about the Oscar nominations. Tomorrow's full PCHH episode more fully covers the film Selma.]

It's hard to believe that not only was there no Serial six months ago, there was no Serial three months ago. The hugely popular podcast, a spinoff production of This American Life, didn't even premiere until early October, but since then, it has made its way with great speed into worlds from Sesame Street to Funny Or Die.

HBO has built a robust and popular online presence over the past couple of years with its app, HBO GO. But to get it — as is the case with many streaming services that offer television over the Internet — you've needed a cable subscription. In other words, HBO GO was an add-on for people who already had HBO, not an alternative way of getting shows for people who didn't.

Copyright 2014 NPR. To see more, visit http://www.npr.org/.

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ROBERT SIEGEL, HOST:

If the Television Critics Association press tour of 2014, wrapping up Tuesday and Wednesday with presentations from PBS, has had a catchphrase, it's "audience measurement."

I've always been the shrugging type when it comes to lots of things that Facebook does that make people crazy. They change the layout, they mess with the feed — even making you noodle with your privacy settings has always seemed to me like the craven doing of business, and something where I could say yes or I could say no, the same as any business that offered good service sometimes and lousy service other times.

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WADE GOODWYN, HOST:

Twenty-five years ago, Lloyd Dobler raised a boombox over his head and changed the world of movie boyfriends forever.

(SOUNDBITE OF SONG, "IN YOUR EYES")

PETER GABRIEL: (Singing) All my instincts, they return...

GOODWYN: Linda Holmes, of our pop culture blog "Monkey See," was a teenager when she first saw the film "Say Anything..." She says all these years later, she has a new appreciation of it.

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