The Mad, Mad World Of The New Yorker's Greatest Cartoonist

May 2, 2016

  In the summer of 1925, The New Yorker was struggling to survive its first year in print. They took a chance on a young cartoonist who was about to give up his career as an artist. His name was Peter Arno, and his witty social commentary, blush-inducing content, and compositional mastery brought a cosmopolitan edge to the magazine’s pages—a vitality that would soon cement The New Yorker as one of the world’s most celebrated publications.

Alongside New Yorker luminaries such as E.B. White, James Thurber, and founding editor Harold Ross, Arno is one of the select few who made the magazine the cultural touchstone it is today.

In his new biography of one of The New Yorker’s first geniuses, New Yorker cartoonist Michael Maslin dives into Arno’s rocky relationship with the magazine, his fiery marriage to the columnist Lois Long, and his tabloid-cover altercations involving pistols, fists, and barely-legal debutantes.

Michael Maslin’s cartoons have been appearing in The New Yorker for nearly forty years. He is the author or coauthor of eight books of cartoons. His new biography is: Peter Arno: The Mad, Mad World of The New Yorker's Greatest Cartoonist.