broadway

  The Proctors' Key Private Bank Broadway Series has been unveiled. The season includes An American in Paris, The Sound of Music and Cabaret among six touring musicals. Capital Rep's slate of original productions will consist of five shows, from a tribute to Janis Joplin to an adaptation of Homer's Iliad.

In another first, an offering on Capital Rep's season, Beautiful — The Carole King Musical, will be presented at Proctors and will be a touring show, not an original production mounted by Capital Rep. Subscribers to either theater will have the option of adding tickets to the touring production of Wicked, returning to Proctors for two weeks in March 2017.

There is a lot going on and we welcome CEO Philip Morris to tell us more.

  Michael Riedel has been a theater columnist for the New York Post since 1998. He worked at the Daily News for five years before returning to the Post, he is the cohost of Theater Talk with PBS.

In his first book, Razzle Dazzle, he pulls back the curtain on Broadway's stars, producers, and mega-hits to reveal all the shocking drama, intrigue, and power plays that happened off stage.

Razzle Dazzle is a provocative, no-holds-barred narrative account of the people and the money and the power that re-invented an iconic quarter of New York City, turning its gritty back alleys and sex-shops into the glitzy, dazzling Great White Way—and bringing a crippled New York from the brink of bankruptcy to its glittering glory.

  The timeless tale of joy and goodwill, White Christmas, filled with classic Irving Berlin songs and glorious dancing and lots of snow is now at Proctors in Schenectady through Sunday. We meet two of the stars of the show - Conrad John Schuck & Pamela Myers – this morning.

Conrad John Schuck plays General Waverly. He played Daddy Warbucks on Broadway and was in Nice Work If You Can Get It with Matthew Broderick. His film work includes: M*A*S*H, Star Trek IV & VI, and Woody Allen’s Curse of the Jade Scorpion. On TV he was Sgt. Enright in McMillan and Wife with Rock Hudson and he starred in one of my favorites – Holmes and Yoyo.

Pamela Myers plays Martha Watson in White Christmas. Her Broadway credits include: Company (where she was nominated for a Tony) and Into The Woods. She also had the pleasure of working with Charles Schulz creating the role of Peppermint Patty in Snoopy. Her TV credits include Happy Days, Alice, Major Dad, and she starred in and was the announcer for Sha Na Na.

  Since it first opened on Broadway in September, 1964, Fiddler on the Roof has constantly been onstage somewhere. The new Broadway revival starring Danny Burstein and Jessica Hecht opens at The Broadway Theatre in New York City on Sunday.

Published in celebration of Fiddler's 50th anniversary, Tradition!: The Highly Improbable, Ultimately Triumphant Broadway-to-Hollywood Story of Fiddler on the Roof, the World's Most Beloved Musical, is a book by Barbara Isenberg -- for which she interviewed the men and women behind the original production, the film and significant revivals to produce a lively, popular chronicle of the making of Fiddler.

  Alice Walker’s The Color Purple is an unforgettable story of enduring love and triumph over adversity.

Based on the Pulitzer Prize winning novel and the Warner Bros. / Amblin Entertainment motion picture, the musical version of The Color Purple is adapted for the stage by Pulitzer Prize and Tony award winner Marsha Norman, with music and lyrics by Grammy award winners Brenda Russell, Allee Willis and Stephen Bray.

The John Doyle directed Broadway revival of The Color Purple opens tomorrow night after a month of previews and boasts a fresh, joyous score of jazz, ragtime, gospel and blues. The cast includes Cynthia Erivo as Celie, Jennifer Hudson as Shug Avery, Danielle Brooks as Sofia, and our guest, Isaiah Johnson as Mister.

  Whether we’re ready or not -- the holiday season is upon us. Time for family visits, parties with friends and co-workers, and attempts at general merriment. These are also the weeks and months when the best films of the year start showing up on movie theater screens.

Tim Federle’s newest mixology book combines those two interests: cocktails and movies. Gone with the Gin: Cocktails with a Hollywood Twist follows Federle’s Tequila Mockingbird: Cocktails with a Literary Twist and Hickory Daiquiri Dock: Cocktails with a Nursery Rhyme Twist.

Federle is also the author of the best-selling Better Nate Than Ever and Five Six Seven Nate. His kids book is called Tommy Can’t Stop. Before he was an author he was a dancer, performing on Broadway in Gypsy, Chitty Chitty Bang Bang, The Little Mermaid, and Billy Elliot: The Musical.

  Following a near-fatal car accident, a world-famous novelist finds himself in a strange house being nursed back to health by his doting, self-proclaimed Number One Fan. But as her love for his work turns to dangerous obsession, he realizes he must plot his greatest story yet: how to escape with his life.

Stephen King’s novel, Misery, was adapted for the screen in 1990 directed by Rob Reiner and starring James Caan as Paul Sheldon and Kathy Bates as Annie Wilkes in an Academy Award and Golden Globe hobbling -- ahem, winning -- performance.

Misery is back in a new Broadway adaptation written by two-time Academy Award winner William Goldman with action film star Bruce Willis making his Broadway debut as Paul Sheldon and Laurie Metcalf picking up Annie Wilke’s bottles of Novril ... and sledgehammer.

Will Frears directs the production which is running at the Broadhurst Theatre in New York City through February 14th.

Joan Marcus

  The Roundabout Theatre Company in New York City is celebrating its 50th Anniversary this year and we are highlighting its work this week.

Roundabout produces work both on and Off-Broadway and at its Off-Broadway theater, The Laura Pels, Roundabout is currently presenting The Humans, a new play by Stephen Karam. Directed by Joe Mantello the show has announced a move from off to on Broadway next Spring -- with its current ensemble cast intact.

In the play, we join The Blakes - a solid Scranton family - as they celebrate Thanksgiving in their youngest daughter’s apartment in New York City. The family dynamic is strained and real. Karam’s writing is crisp, emotional, flip, and funny. The matriarch and patriarch of the family are played by Jane Houdyshell and Reed Birney, respectively.

  The Roundabout Theatre Company in New York City is celebrating its 50th Anniversary this year. The largest non-for-profit theatre company in America, Roundabout has grown from a small 150-seat theatre in a converted supermarket basement to operating five stages on and off Broadway. It reaches 700,000 theatergoers, students, educators and artists across the country and around the world every year.

This week, we’ve teamed up with Roundabout for a series of interviews about its 50th Anniversary Season. We begin today with Todd Haimes, the company’s Artistic Director.

Haimes joined Roundabout in 1983 working as Executive Director until 1990 when he became Artistic Director. We speak with him here about hits, misses, longevity, and legacy.

  John Lahr is an acclaimed theater critic. Since 1992 he’s been the Senior Drama Critic for The New Yorker magazine.

He’s the author of such books as Tennessee Williams: Mad Pilgrimage of the Flesh, and the brand new, Joy Ride. The book is a collection of Lahr’s New Yorker profiles and reviews which explore the lives of the theatricals.

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