During World War II, Hitler and the Nazis looted and eventually destroyed countless works of art in an attempt to obliterate a cultural heritage that did not conform to the tenets of National Socialism. And the key issue that is explored in The Monuments Men, the new film directed by and starring George Clooney, is: Was it worth risking one human life to salvage this heritage? In other words, what is of more value: The survival of one painting by Pablo Picasso or the life of one otherwise obscure human being?
Shirley Temple died recently at the age of 85. Her film career began when she was about 4 years of age, and she starred in motion pictures with phenomenal success through the age of 21. During the mid-late 1930s, her box office power outdid the power of such stars as Clark Gable and Joan Crawford. At that time, when much of the population of the United States was struggling through the Great Depression, little Shirley Temple was dancing, singing, and genuinely charming her way into the hearts of a nation.
Like so many of us, I was shocked and saddened to learn of the death of Philip Seymour Hoffman. To be felled by a drug overdose and to pass away at such a young age certainly is tragic. Granted, we frequently are hit with headlines regarding the demises of famous and often beloved movie folk. But this one somehow seemed different.
These days, when it comes to the Academy Awards, documentaries too often are shoved aside. The media spotlight is on the celebrities, the high-profile feature films, which films or actors were nominated and which were overlooked, and who likely will walk off with Oscar.
Sometimes, an actor who once upon a time earned a certain celebrity but has long since disappeared from the limelight makes a triumphant return to center stage. Such is the case right now with Bruce Dern. These days, Dern is back in full force playing a grizzled, alcoholic senior citizen in Alexander Payne's NEBRASKA. Dern's letter-perfect performance earned him a top acting prize at last spring's Cannes Film Festival. He now is winning best actor awards from film critics' groups, and the question of the moment is: Will he walk off with the Best Actor Academy Award?
What do films like ALL IS LOST, GRAVITY, CAPTAIN PHILLIPS, and WORLD WAR Z, among so many others, have in common? Sure, all were released theatrically in 2013; however, even though their characters and the specifics of their storylines differ, all are linked in one major way.
Each day, it seems, a new film critics group or other such organization announces its Best Film and Best Actor and Best Actress choices for the just-concluded year. Then we have the Golden Globe awards which, let’s face it, is the equivalent of a Triple-A championship baseball game. Now we have the Academy Awards which, as Ed Sullivan used to say, is the “Really Big Show” that is the motion picture industry’s equivalent of the World Series or Super Bowl.
One film that is drawing attention at award nomination ceremonies is PHILOMENA, the story of a real-life Irish-Catholic woman named Philomena Lee. The film relates the story a teenager in the 1950s, who met a young man one evening at a fair and wound up having a one-night sexual encounter with him—her first time having sex. She never saw him again.
For decades, the behind-the-scenes lives of the famous have been fodder for celluloid “exposes.” In recent years in particular, filmmakers have been attracted to tales of illicit romances during times in which strict codes of social conduct were supposed to be adhered to. The latest example is THE INVISIBLE WOMAN, which is directed by Ralph Fiennes. THE INVISIBLE WOMAN charts the evolving relationship between an older Charles Dickens, who also is played by Fiennes, and a young woman named Nelly Ternan.