These days, Greta Gerwig is all over movie screens. She recently has been seen in LOLA VERSUS, and Whit Stillman’s latest, DAMSELS IN DISTRESS, and Woody Allen’s latest, TO ROME WITH LOVE. (I must add here that, in these parts, any new Woody Allen film-- good, bad, or indifferent-- is well worth a look-see.) Anyway, what is so appealing about Greta Gerwig is her naturalistic screen presence. She is at ease in front of the camera and, once that camera rolls, it does not seem as if she is acting. She is just, well... being her character.