Brown’s has been crafting dependable ales & lagers in the Northern Hudson Valley since 1993. From their 19th Century warehouse brewery on the Eastern shore of the mighty Hudson River, they brew a bountiful variety of well-made traditional styles with a sense of pride and dutiful conviction.
Joining us now to discuss Brown’s, their growth and amazing food and drink, we welcome co-owner Kelly Brown and Brown’s VP Gregg Stacy.
The Arts Center of the Capital Region engages people in the creative experience. They are the region’s preeminent proponent of the arts and creative education, expression, and appreciation, serving people of all ages, abilities, and economic and cultural backgrounds.
The Arts Center of the Capital Region is a private, not-for-profit corporation that began life as the Rensselaer County Council for the Arts in 1962. In its early years, it was located in a brownstone mansion on Troy’s Washington Park. Art classes were offered for the first time there in 1965, with the mansion‚ converted ballroom and formal dining rooms serving as an art gallery.
The Albany Symphony will welcome American pianist, Orion Weiss, who marks his third performance with the orchestra as the centerpiece of their American Music Festival Orchestra Concert on Saturday night at 7:30 PM.
Weiss joins the orchestra for Christopher Rouse's "Seeing," an extraordinary piano concerto commissioned by the New York Philharmonic for Emmanuel Ax in 1999. "Seeing" is a powerful, poignant statement on the nature of mental illness.
One of the most sought-after pianists of his generation, Orion Weiss has performed with most of America's major orchestras, including the Chicago Symphony, Boston Symphony, Los Angeles Philharmonic, and New York Philharmonic.
This Friday at 10pm, The Albany Symphony’s American Music Festival will host R WE WHO R WE - an ongoing collaboration by composer-performers Ted Hearne and Philip White. A tribute and commentary to both classic and ephemeral artists of the pop landscape, R WE WHO R WE uses pop music like graffiti uses public space, exploiting the tension between theft and tribute.
Composer, conductor, and performer Ted Hearne joins us. He attended Manhattan School of Music and Yale School of Music, and has studied with Martin Bresnick, Aaron Jay Kernis, Ezra Laderman, David Lang, Nils Vigeland and Julia Wolfe.
The Troy Savings Bank Music Hall, named a National Historic Landmark in 1989, is in use over 100 days a year. Since it opened its doors in 1875, the Hall has hosted performances by numerous world-renowned artists, including Marion Anderson, Dizzy Gillespie, Pete Seeger, Ella Fitzgerald, Isaac Stern, Yo-Yo Ma, Vladimir Horowitz, Yehudi Menuhin, and Arthur Rubenstein, among many others.
Another regular tenant is the Albany Symphony Orchestra. The hall is known far and wide for the perfect acoustics of the second floor performing space. We welcome their Executive Director, JonElbaum.
RPI has a strong program and deep history of music and arts education. In addition to being the home of EMPAC - where we sit today - their School of Humanities, Arts, and Social Sciences provides an imaginative and distinctive approach to Rensselaer’s 200-year old founding mission "to apply science to the common purposes of life." Alan - RPI also has numerous music, dance, and arts clubs - including but not limited to - ballroom dance, street dance, choir, a cappella, improv comedy, sketch comedy, orchestra, pep band, graphic design and public speaking!
David Alan Miller has established a reputation as one of the leading American conductors of his generation. As Music Director of the Albany Symphony Orchestra -- a position he has held since 1992 -- he has proven himself a creative and compelling orchestra builder.
Through exploration of unusual repertoire, educational programming, community outreach and recording initiatives, he has reaffirmed the Albany Symphony’s reputation as the nation’s leading champion of American symphonic music and one of its most innovative orchestras.
The Peter Evans Quintet has been performing since 2009, and has played in New York, as well as toured internationally.
Taking jazz ensembles into the 21st century, the Peter Evans Quintet uses real-time sound processing and traditional instruments to create their sound. The live electronics permit the group to change their sound from smooth and melodious to sharp and rattling to cacophonous reverberation. The quintet draws on traditional jazz as source material and contorts them into something resembling classical European avant-garde.
The ensemble arrived at EMPAC in Troy on Tuesday to begin their EMPAC recording residency and they are performing this Friday night.
Peter Evans and EMPAC music curator, Argeo Ascani join us.
Inspired by meditations on horror films, the work of Antonin Artaud, and Ardunio open-source electronics, Radiohole’s Inflatable Frankenstein is a visually and sonically driven performance based on Mary Shelley’s early life and her novel Frankenstein.
Arising from a world of gods and monsters (and thousands of Walmart and Price Chopper grocery bags) is a desecration too terrible to behold and too beautiful to turn away from, leading to an improbable question: what is it like to be a metaphor for everything?
The project was supported by a 2012 EMPAC production residency.