MASS MoCA’s Winter/Spring 2013 documentary film series, Compete!, celebrates films about winning, losing, and how you play the game.
This Thursday’s film, The Human Tower, explores the history and culture of one of the world’s most spectacularly unusual team endeavors - the building of multi-story human towers. The filmmakers follow teams from India, Chile, and Spain - connected by the common themes of passion and teamwork that transcend race, age, and national borders.
The Human Tower is co-directed by Ram Devineni and Cano Rojas. Rojas will be at MASS MoCA this Thursday for a Q&A following the screening of the film in their Club B-10 at 7:30.
The documentary film, Buzkashi! is a story of three fascinating characters who are at the top of their sport of Buzkashi in Tajikistan, a former Soviet republic nestled in the Pamir mountains. Donning their protective equipment – including tank helmets from previous wars – they steer their horses to join the hundreds of others playing on the plateaus of this mountainous country.
The rivalries, alliances politics and intrigues surrounding the sport put ancient values of honor and integrity head-to-head with ego-driven hunger for power and wealth.
The film is screening at MASS MoCA in North Adams, MA tomorrow night at 7:30 as part of their Winter/Spring 2013 documentary film series, Compete!, the series celebrates films about winning, losing, and how you play the game.
Buzkashi! is written and directed by Najeeb Mirza. You may watch the trailer, here.
A SEPARATION was one of the top films of 2011. In fact, it deservedly earned the Best Foreign Film Academy Award. I mention it now because its country of origin is Iran and, over a year ago, prior to the Oscar ceremony, I put forth a question: Should the current, seemingly endless hullaballoo surrounding Iran in any way impact on one’s view of this film-- or, if you are an Oscar voter, impact on your decision to vote or not vote for A SEPARATION?
BOSTON (AP) — Film companies have been awarded $44 million in Massachusetts tax credits for projects filmed in 2011, with nearly two-thirds of new spending generated by the productions going to individuals and businesses located out-of-state, including many individuals making more than $1 million.
That's a jump over the $18 million in credits in 2010.
The Department of Revenue report credited the increase on the return of multiple major feature films being made in Massachusetts.
During the first months of each new year, movie theaters are overcrowded with generally dreadful films: throwaways with such less-than-appealing titles as A GOOD DAY TO DIE HARD and BULLET IN THE HEAD or moronic comedies like IDENTITY THIEF that somehow clean up at the box office or well-intentioned films like SIDE EFFECTS, a murder mystery which also explores the issue of prescription drug abuse but is way too fanciful and crammed with plot holes.
These days, movie-going can be an expensive proposition-- and I would hate to have to plunk down some hard-earned money in the hope of finding relaxation in a darkened movie theater and end up sitting through a comedy that is crass and unfunny or a thriller that simply is not thrilling, not to mention the very real possibility that the person sitting next to me will be yapping away on his or her cellphone while I am trying to soak in all the on-screen dialogue.
Two of the year’s very best films-- and these are must-see items-- are arriving in movie theaters at the tail-end of 2012. They are Quentin Tarantino’s DJANGO UNCHAINED and Kathryn Bigelow’s ZERO DARK THIRTY, and they are as different as TO KILL A MOCKINGBIRD and a Hope-and-Crosby road picture. But DJANGO UNCHAINED and ZERO DARK THIRTY are not the only must-see films released during the year. Some also are big-budget items that feature A-list directors and major stars. Others are more modest independent titles or foreign films.