love

roundabouttheatre.org

  In Joshua Harmon’s new play, Significant Other, Jordan Berman would love to be in love, but until he meets Mr. Right, he wards off lonely nights with his trio of close-knit girlfriends. But as singles’ nights turn into bachelorette parties, Jordan finds that supporting the ones you love can be just as impossible as finding love itself. The play takes an often funny and alternately heartbreaking look at what it’s like to be single when all of your close friends are marrying themselves off (and even worse than that - sometimes having destination weddings that you attend, even though it destroys your budget).

The Roundabout Theatre Company production of Significant Other, directed by Trip Cullman, has been in previews for a few weeks and officially opens at The Laura Pels Theatre in New York City this coming Thursday night.

Roundabout Theatre Company’s relationship with Joshua Harmon began when his play Bad Jews was selected for the inaugural Roundabout Underground Reading Series for Emerging Playwrights in February 2012. The play then premiered at Roundabout Underground’s Black Box in Fall 2012, in a sold-out extended run and then moved upstairs to the 420-seat Laura Pels Theatre - where Significant Other is performed now.

We spoke with Joshua Harmon and Trip Cullman recently about Roundabout, the play, and working together.

  When Maya Angelou and Tavis Smiley met in 1986, he was twenty-one and she was fifty-eight. For the next twenty-eight years, they shared an unlikely, special bond. Angelou was a teacher and a maternal figure to Smiley, and they talked often, of art, politics, history, race, religion, music, love, purpose, and--more than anything--courage. Courage to be open, to follow dreams, to believe in oneself.

In My Journey with Maya, Smiley recalls a joyful friendship filled to the brim with sparkling conversation--in Angelou's gardens surrounded by her caged birds, before lectures, sharing meals, and on breaks from it all, they sought each other out for comfort, advice, and above all else, friendship.

  Professor Elizabeth Alexander is a poet, essayist, playwright and teacher. She was recently named a Chancellor of the Academy of American Poets, as well as the inaugural Frederick Iseman Professor of Poetry at Yale University. In 2009, she composed and delivered “Praise Song for the Day” for the inauguration of President Barack Obama.

In her memoir, The Light of the World, she finds herself at an existential crossroads after the sudden death of her husband. She tells a love story that is, itself, a story of loss. She reflects on the beauty of her married life, the trauma resulting from her husband’s death, and the solace found in caring for her two sons.

  Stephen King calls Abigail Thomas "the Emily Dickinson of memoirists."

Her latest book, What Comes Next and How to Like It, is an extraordinarily moving memoir about many things, but at the center is a steadfast friendship between Abigail Thomas and a man she met thirty-five years ago.

  

  Courtney Maum splits her time between the Berkshires, New York City, and Paris, working as a creative brand strategist, corporate namer, and humor columnist. Her debut novel, I Am Having So Much Fun Here Without You is out in paperback this week.

She will be at Odyssey Bookshop in South Hadley, MA on 4/8 and will participate in Literary Death Match at The Mount in Lenox, MA on 4/24.

On her book tour, Courtney will conduct interviews what people have learned about long-term love. People can participate using the hashtag #lovenotes - Courtney will share content on her Tumblr and her Facebook author page.

  Can You Hear Me Baby? Stories of Sex, Love, and OMG Birth! is being presented as a staged reading with music on March 27th and 28th at Berkshire Theatre Group's Unicorn Theatre in Stockbridge, MA as a benefit for the National Perinatal Association, Berkshire Festival of Women Writers and WAM Theatre.

Written by Lisa Rafel, with music by Lisa Rafel and Gary Malkin, Can You Hear Me Baby? brings together birth stories and original music to dramatize the joy, challenges, personal courage and profundity of birth.

Here to tell us more are playwright Lisa Rafel and the production’s director/producer Jayne Atkinson.

  The summer Lisa A. Phillips turned thirty, she fell in love with someone who didn’t return her feelings. She soon became obsessed. She followed him around, called him compulsively, and talked about him endlessly. One desperate morning, after she snuck into his apartment building, he picked up a baseball bat to protect himself and began to dial 911. Her unrequited love had changed her from a sane, conscientious college teacher and radio reporter into someone she barely recognized—someone who was taking her yearning much too far.

Blending memoir, literary exposition, and revealing case studies, Lisa A. Phillips book, Unrequited, is an exploration of one-sided romantic obsession.

30 Lessons For Loving

Jan 20, 2015

  Based on the most detailed survey of long-married people ever conducted, 30 Lessons For Loving shows a way to lifelong, fulfilling relationships. Karl Pillemer, a gerontologist at Cornell University, offers advice from the oldest and wisest Americans on everything from finding a partner, to deciding to commit, to growing old together.

Along the way, the book answers questions like these: How do you know if the person you love is the right one? What are the secrets for improving communication and reducing conflict? What gets you through the major stresses of marriage, such as child-rearing, work, money issues, and in-laws?

  From Sophia Dembling, author of The Introvert’s Way comes Introverts in Love: The Quiet Way to Happily Ever After - a guide to romance that takes introverts through the frequently outgoing world of dating, courting, and relationships.

      When she was just seventeen, independent and ambitious Elizabeth Scarboro fell in love with irreverent and irresistible Stephen. She knew he had cystic fibrosis, that he was expected to live only until the age of thirty or so, and that soon she’d have a choice to make.

She could set out to travel, date, and lead the adventurous life she’d imagined, or she could be with Stephen, who came with an urgency of his own. In choosing him, Scarboro embraced another kind of adventure—simultaneously joyous and heartrending—staying with Stephen and building a life in the ten years they’d have together. The illness would be present in the background of their lives and then ever-more-insistently in the foreground.

Scarboro tells her story of fierce love and its limitations with humor, grace, and remarkable bravery in My Foreign Cities. It is a portrait of a young couple approaching mortality with reckless abandon, gleefully outrunning it for as long as they can.

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