nostalgia

Willard Spiegelman is the Hughes Professor of English at Southern Methodist University in Dallas. From 1984 until 2016, he was also the editor in chief of Southwest Review. He has written many books and essays about English and American poetry. For more than a quarter century he has been a regular contributor to the Leisure & Arts pages of The Wall Street Journal.

Drawing on more than six decades' worth of lessons from his storied career as a writer and professor, Willard Spiegelman reflects with candid humor and sophistication on growing old.Senior Moments is a series of discrete essays that, when taken together, constitute the life of a man who, despite Western cultural notions of aging as something to be denied, overcome, and resisted, has continued to relish the simplest of pleasures: reading, looking at art, talking, and indulging in occasional fits of nostalgia while also welcoming what inevitably lies ahead.

    The Breakfast Club defined an entire generation of pop culture and included such talent as Molly Ringwald “the princess,” Anthony Michael Hall “the brain,” Emilio Estevez “the jock,” Judd Nelson “the criminal,” and Ally Sheedy “the basket-case.”

It is likely the late John Hughes most-loved film and it's receiving a cinema re-release from Fathom Events tomorrow night and next Tuesday, March 31st. To commemorate the anniversary, we spoke with Kirk Honeycutt about his book, John Hughes: A Life in Film.  

Honeycutt is the former chief film critic for The Hollywood Reporter for many years and subsequent to that, senior film reporter for that publication. Honeycutt is a member of the prestigious Los Angeles Film Critics Association, and is the creator of Honeycutt's Hollywood, a popular film review website.

    Americans cherish their national myths, some of which predate the country’s founding. But the time for illusions, nostalgia, and grand ambition abroad has gone by, according to journalist Patrick Smith in his new book, Time No Longer.

He says Americans are now faced with a choice between a mythical idea of themselves, their nation, and their global “mission,” on the one hand, and on the other an idea of America that is rooted in historical consciousness.