Paul Elisha

Commentary & Opinion
11:35 am
Tue May 15, 2012

Paul Elisha: The Hand That Rocks the Cradle

Although William Ross Wallace may have coined the most ardently honest description of Mothers’ Day, before the malediction of American Marketing made a mockery of it, his brief citation still exudes a reality most humans wish was true:  “The hand that rocks the cradle rules the world.”

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Commentary & Opinion
1:34 pm
Tue May 8, 2012

Paul Elisha: ETHICS!

From the outset of this anomalous experiment in government of, for and by its people, vocabulary has been an essential ingredient; the distillate of how things are accomplished.  Out of its need, grew the absolutely necessary First Constitutional Amendment that ensured freedom of expression.  Today, that freedom is an endangered species.  An explicit word, once a cornerstone of the experiment, has been banned.  The word is: “ETHICS.”  As an act of civil disobedience, this commentator will now repeat it:

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Commentary & Opinion
12:07 pm
Tue May 1, 2012

Paul Elisha: Only If You Will It

For those public broadcasters who always ask the question: “Is classical music dead or doomed?” in interviews before every concert they air, this commentator has a simple coherent answer: “Only if you will it!”  Most Public Broadcasting execs seem privately convinced but too chicken to say, what they already believe.  So they ask the question, praying someone else will intone the answer they seek.  Theirs’ is a suspicion fallaciously raised, ever since ‘Classical Music’ was born.  In truth, as the inimitable ‘Satchmo’ Armstrong used to put it:  “There’s only two kinds of music… Good and Bad

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Commentary & Opinion
12:00 pm
Tue April 3, 2012

Paul Elisha: On the Merits of Slaughter

Looking back across many eventful years, this commentator can attest that life is an apt vehicle for learning but not without exemplary teachers.  In this respect, no one could have been luckier than I.  The eventful year was 1986 and my nonpareil mentor was an indomitable New York State Assembly-person.  Louise Slaughter was elected several years earlier, as a democrat in a habitually conservative suburb of Rochester.  She’d espoused an interest in the arts and legislative leaders decided the Arts Committee was just the spot to keep her involved in diversionary limbo, away from the attract

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