remote broadcast

James Burton at Symphony Hall in Boston.
Michael Blanchard

There is a new face here on the Tanglewood campus. James Burton joined the team earlier this year as the next Conductor of the Tanglewood Festival Chorus.

In addition, Burton takes on the newly established title of BSO Choral Director, a role in which he will explore new opportunities to enhance the orchestra's choral activities. 

Burton is only the second conductor to be appointed director of the TFC since its founding in 1970; he follows in the footsteps of John Oliver, founder and director of the Tanglewood Festival Chorus, and who currently holds the title Founder and Conductor Laureate. 

Hailed as "a funny, affectionate, and revealing tribute to musical theater's greatest living composer and lyricist," the symphonic Sondheim on Sondheim is a retrospective of the life and work of America's finest contemporary musical theater creator -- told through his own words via film, live performers, and his amazing music.

Directed by Sandra Lapine with ​music direction by David Loud, acclaimed Broadway actors Phillip Boykin, Carmen Cusack, Gabriel Ebert, Ruthie Ann Miles and Tanglewood Music Center Vocal Fellows will join Keith Lockhart and The Boston Pops in the ​Koussevitzky Music Shed on Saturday, July 8th at 8pm.

Tamara Hickey and Thomas Brazzle in Cymbeline at Shakespeare & Company
Stratton McCrady / shakespeare.org

We're at Tanglewood this morning and just a few miles away through the Berkshire beauty of Lenox lives another cultural gem, Shakespeare & Company.

Cymbeline is a rarely performed story of intrigue and deception in the face of steely resolve with wild plot twists, mistaken identities, and a heart-rending quest for love.

We are joined now by Tamara Hickey who plays Imogen in Cymbeline; Allyn Burrows, artistic director, at Shakespeare & Company; and Tina Packer, Founding Artistic Director of Shakespeare & Company and Director of Cymbeline. The production also marks a personal milestone for Packer, who, after opening her production of Cymbeline, will have directed all 37 plays in the Shakespeare canon.

Dawn Upshaw
Brooke Irish

There will be a Centennial Tribute to Ella Fitzgerald on Sunday night at 8PM at Tanglewood’s Seiji Ozawa Hall. The Tanglewood Music Center Vocal Concert will feature mezzo-soprano Stephanie Blythe, Pianist Lee Musiker, musicians of the Boston Pops, TMC Vocal Fellows and our next guest - Dawn Upshaw.

Dawn Upshaw is the Artistic Director of Bard College’s Conservatory of Music as well as the Charles Franklin Kellogg and Grace Ramsey Kellogg Professor of the Arts and Humanities.

She has been at Bard since 2004. The winner of three Grammy Awards; she is featured on more than 50 recordings. She is also the first singer to be named a “Perspectives” Artist by Carnegie Hall. 

Seiji Ozawa Hall at Tanglewood
Sarah LaDuke

As you walk along Tanglewood’s meandering paths, it’s easy to miss a series of small wooden shacks nestled amongst the pine trees -- until you hear the sweet music emanating from within. It’s here that the Tanglewood Music Center Fellows hone their craft and learn from the masters.

For decades, talented young musicians from around the country and around the globe have been coming to the Berkshires to study with some of the best musicians in the world.  Today we’re joined by Ellen Highstein – the Director of the Tanglewood Music Center.

Andris Nelsons
Marco Borggreve

Andris Nelsons is Music Director of the Boston Symphony Orchestra and is the designated Gewandhauskapellmeister of the Gewandhausorchester Leipzig. He made his Boston Symphony debut in March 2011, leading Mahler’s Symphony no. 9 at Carnegie Hall.

In summer 2012, Nelsons made his debut in Tanglewood, and in 2013 at Boston Symphony Hall. And began his tenure as Music Director of the BSO in the 2014/15 season and after one year his contract was extended through the 2021/22 season.

In summer 2015 and spring 2016, the BSO and Nelsons embarked on their first European tours, receiving widespread critical acclaim. It’s Summer 2017 now and Nelsons is back at Tanglewood with The BSO.

As the season begins at Tanglewood, we speak to a man who not only is keeping the plates spinning here, he also has an eye on Boston and is even working on programming for future years here at Tanglewood.

Tony Fogg has been Artistic Administrator of the Boston Symphony Orchestra since 1994 and assists the Music Director in the planning and selection of all BSO concerts and repertoire.

A pianist by training, he is one of our favorites to chat with and it is a great pleasure to welcome Tony back to our Tanglewood Roundtable.

The Tanglewood Music Center Orchestra kicks off its 2017 season under the direction of Andris Nelsons this coming Monday - July 10th. The performance features Swedish trumpeter Håkan Hardenberger, one of Mr. Nelsons' closest artistic collaborators, and Thom Rolfs, BSO principal trumpet and a former TMC Fellow.

Highlighting the program are two concertos written for Hardenberger by acclaimed English composer Mark-Anthony Turnage. Hardenberger is soloist in the 2004 concerto From the Wreckage, an emotional journey transporting listeners from a spiky introduction to the calm plateau of its final resolution.

Hardenberger is joined by Thom Rolfs for Turnage's 1995 double trumpet concerto Dispelling the Fears. Mark-Anthony Turnage's music has been performed frequently at Tanglewood since he was a TMC Fellow in 1983.

We begin our remote broadcast from Tanglewood with an abbreviated RT Panel and welcome our man from The Berkshire Eagle, Kevin Moran and Managing Director of the Boston Symphony Orchestra, Mark Volpe.

Paul Lewis
Molina Visuals

  Renowned English pianist Paul Lewis joins Andris Nelsons and the instrumental Fellows of the Tanglewood Music Center Orchestra on Sunday, July 31, for the annual Leonard Bernstein Memorial Concert. The all-Brahms program opens with the Piano Concerto No. 1.

Tonight at 6 p.m. in Ozawa Hall, Mr. Lewis will perform Schubert’s Fantasia in F minor for piano four hands with pianist Jonathan Biss, and Mozart’s Piano Quartet No. 2 during a prelude concert with members of the BSO. Prelude concerts are free to ticket holders for the evening’s program.  

  Stephanie Blythe is on the vocal faculty for the Tanglewood Music Center, and has been coaching vocal Fellows for the “Sing America: Songs of Travel” vocal concert at 5 p.m. during Tanglewood on Parade.

The program features the TMC Vocal Fellows and Stephanie singing mostly classic American travel songs from the largely from the late 1800’s and early 1900s, including “Meet Me in St. Louis, Louis,” “California, Here I Come,” “Caroline in the Morning,” “Meet Me Tonight in Dreamland,” and “I Want to Go Back to Michigan.” The audience will also be encouranged to sing along during a portion of the program.

Mezzo-soprano Stephanie Blythe is considered to be one of the most highly respected and critically acclaimed artists of her generation.

Allyn Burrows and Tod Randolph in 'Or,' at Shakespeare & Company, 2016.
Ava G. Lindenmaier

  Liz Duffy Adams' playful comedy Or, is based on the real life of Britain's first female playwright Aphra Behn.

The production runs through September 4 in Shakespeare & Company’s Tina Packer Playhouse and is staged in-the-round. Alice Reagan is the director and she joins us along with actors Tod Randolph and Allyn Burrows.

Andris Nelsons
Marco Borggreve

  Andris Nelsons is Music Director of the Boston Symphony Orchestra and he was announced as music director of the Leipzig Gewandhaus Orchestra, commencing in the 2017/18 season. With both appointments, and in leading a pioneering alliance between these two esteemed institutions, Andris Nelsons is widely considered as one of the most renowned and innovative conductors on the international scene today.

Nelsons made his BSO debut in March 2011, leading Mahler’s Symphony no. 9 at Carnegie Hall. In summer 2012, Nelsons made his debut in here at Tanglewood. Nelsons began his tenure as Music Director of the Boston Symphony Orchestra in the 2014/15 season and after one year in Boston his contract was extended through the 2021/22 season.

Maestro Nelsons will lead performances of Mahler’s Symphony No. 9 tonight, Beethoven’s Symphony No. 7 tomorrow night and an all-Brahms program with pianist Paul Lewis.

  The man behind the music is the BSO’s Artistic Administrator, Tony Fogg. Tony was born in Australia and was trained as a pianist at the Brazilian Academy of Music in Sao Paulo and at the University of Sydney.

His career has combined performance with arts administration, and, in both aspects of his work, he has been a strong champion of contemporary composers

The Danish String Quartet
Caroline Bittencourt

    

  The Danish String Quartet, one of the most lauded classical ensembles today, is in great demand by classical concert and festival presenters alike. Their outstanding level of musicianship and command of whatever repertoire they happen to play is truly at the forefront of classical music in the 21st century.

Renowned globally for their outstanding level of musical refinement and lush interpretations of classical, contemporary, and folk traditions, offer programs featuring elegant and nuanced compositions of the 21st century, as well as the classics.

They played in Ozawa Hall here at Tanglewood last night and will play the Caramoor Festival in Katonah, NY tonight and Maverick Concerts in Woodstock, NY on Sunday. The Danish String Quartet members are: Asbjorn Norgaard, Rune Tonsgaard Sorensen, Frekrik Schoyen Sjolin, and Frederik Oland.

Ken-David Masur
Beth Ross Buckley

  When Tanglewood goes on Parade – as it will this coming Tuesday - it takes many conductors to make it all happen.

This morning we meet one of the five conductors who will be performing in the Shed. Ken-David Masur is the Assistant Conductor of the BSO as well as being the Associate Conductor of the San Diego Symphony and Principal Guest Conductor of the Munich Symphony.

Masur studied conducting mainly with his father, the great Kurt Masur, and was a conducting fellow at Tanglewood in July 2012 when he made an auspicious BSO debut sharing conducting duties on an all-Mozart program with his father, who was recovering from an injury. His father passed away in December.

Ken-David Masur is an alum of the Boston University Tanglewood Institute which is celebrating its 50th year and will have an anniversary concert at Tanglewood on August 6th.

garden at Tanglewood
Sarah LaDuke

    Tanglewood is a name that's recognized around the world. Just about every time we interview a conductor or musician, they mention the venue's reputation and cache.

That doesn't just happen by accident. There's a hard-working team of professionals that keeps Tanglewood on the lips of both audience-members and performers.

And, it is quite a season that gets underway tonight. To give us a State of Tanglewood report – we welcome back our friend Mark Volpe – the Managing Director of the BSO.

Seiji Ozawa Hall at Tanglewood
Sarah LaDuke

  We begin our broadcast from Tanglewood with a check-in on Berkshire headlines with our man from the Berkshire Eagle, Kevin Moran. Kevin is the regional Vice President of News for New England Newspapers.

Jonathan Stafford
Henry Leutwyler

  Our final guest today is Jonathan Stafford. Jonathan is a ballet master at New York City Ballet and a member of the faculty at the School of American Ballet, NYCB’s official school.

Born in Carlisle, Pennsylvania, Mr. Stafford began his dance training at the age of eight. He was invited to become an apprentice with New York City Ballet in October 1998 and joined the Company as a member of the corps de ballet in February 1999. He was promoted to the rank of soloist in March of 2006 and became a principal dancer in May 2007. After retiring from the Company in May 2014, he was appointed an NYCB ballet master.

At the School of American Ballet, Mr. Stafford served as a member of SAB’s guest faculty during the 2006-07 school year and joined the School’s permanent faculty in September 2007. Mr. Stafford received the Martin E. Segal Award from the School of American Ballet in 1999.

NYCB performs Balanchine's A Midsummer Night's Dream
Paul Kolnik

  Marquerite Mehler is the Director of Production of New York City Ballet and has been stage managing for more than 20 years, primarily in dance. Since joining the Production Department of New York City Ballet in 1995, she has stage managed more than 2000 performances of more than 150 ballets in the New York City Ballet repertory, including world premieres by Peter Martins, Justin Peck, Alexei Ratmansky, Jerome Robbins, and Christopher Wheeldon.

With the production staff, Ms. Mehler supervises scenery, lighting, and all other production elements of the NYCB repertory both at home and on tour. She also coordinates with the other NYCB departments and supervises the NYCB and State Theatre stagehands.

Maria Kowroski
Paul Kolnik

  Maria Kowroski is a principal dancer with New York City Ballet. She began her training in Grand Rapids, where she was born.

Ms. Kowroski entered the School of American Ballet in the fall of 1992. She became an apprentice with New York City Ballet in the summer of 1994 and was invited to join the Company as a member of the corps de ballet in January of 1995. In the spring of 1997, Ms. Kowroski was promoted to the rank of soloist and in the spring of 1999, she was promoted to principal dancer.

Ms. Kowroski was a recipient of the Princess Grace Award in 1994. She will perform the principal role in Balanchine’s Agon while at SPAC.

  Troy Schumacher is a choreographer and member of New York City Ballet’s corps de ballet.

In 2010, Schumacher founded BalletCollective, and as the company’s director and resident choreographer, he collaborates closely with composers, artists, and designers on original works. He was born in Atlanta, Georgia, began his ballet training with Atlanta Ballet and the Chautauqua School of Dance before entering the School of American Ballet in 2002.

He became a New York City Ballet apprentice in 2005 and a member of the corps de ballet in December of that year. His second work for New York City Ballet, Common Ground, will have its SPAC premiere at the sold-out Gala performance. He will also perform the role of “Puck” in Balanchine’s A Midsummer Night’s Dream.

Lauren Lovette
Luis Pons

  Lauren Lovette is a Principal Dancer with New York City Ballet. She was born in Thousand Oaks, California and began studying ballet at the age of 11 at the Cary Ballet Conservatory in Cary, North Carolina

Ms. Lovette became an apprentice with NYCB and joined the Company as a member of the corps de ballet in September 2010. She was promoted to soloist in February 2013 and to principal in June 2015. She was the 2012-2013 recipient of the Janice Levin Award.

Ms. Lovette will choreograph her first-ever work for New York City Ballet, which will premiere in the fall of 2016. She will perform a principal role in Balanchine’s “Rubies” from Jewels and will have her debut in Christopher Wheeldon’s most recent work for NYCB, American Rhapsody, set to Gershwin’s “Rhapsody in Blue,” when it has its second SPAC performance on 7/30.

  Peter Martins first joined the New York City Ballet in 1970, having already achieved international fame with the Royal Danish Ballet. His career in New York saw him move from Principal Dancer to his current position as Ballet Master-in-Chief.

Martins most popular performances as a dancer include Apollo and as the Cavalier in mentor George Balanchine’s Nutcracker. His contributions as a world renowned choreographer include Calcium Light Night, Sleeping Beauty and Romeo and Juliet.

Martins has accompanied the Ballet on their annual summer journey up to Saratoga, and has taken the time to speak with us this morning.

  Andrews Sill is the Associate Music Director of New York City Ballet. He joined New York City Ballet in the spring of 2009 and served as Interim Music Director from 2012 to 2015. He also serves as Music Director of Milwaukee Ballet.

Andrews was just fifteen years old when he was accepted as a conducting and piano student at Yale University, where received his bachelor’s degree with honors. He continued his education under scholarship and fellowship awards from the Manhattan School of Music, earning his doctorate in 1987.

He will be conducting A Midsummer Night’s Dream and the Gala program of Contemporary works on Saturday night.

Justin Peck
New York Times

  Justin Peck is a Soloist and the Resident Choreographer of New York City Ballet. He has created more than 25 works for a range of companies including New York City Ballet, the Paris Opéra Ballet, San Francisco Ballet and Miami City Ballet.

In 2011, NYCB Ballet Master in Chief Peter Martins designated Justin to receive New York Choreographic Institute’s first year-long choreographic residency. Peck was named New York City Ballet’s Resident Choreographer, the second in the Company’s history, in July of 2014.

His latest work Scherzo Fantastique will premiere here at the Saratoga Performing Arts Center on Saturday Night for SPAC’s 50th. It will be his 11th work for the Company.

  Taylor Stanley has danced at SPAC before. But, this summer marks his first performances in Saratoga as a Principal dancer.

In September 2009, Taylor became an apprentice with NYCB, and joined the Company as a member of the corps de ballet a year later. He was promoted to soloist in 2013 and to principal dancer in May of this year.

He will be performing a principal role in Justin Peck’s SPAC World Premiere Scherzo Fantastique which will be performed this Saturday Night as part of the Anniversary Gala. Taylor will also perform in Balanchine’s Jewels presented twice next week.

Marcia White
DONNA ABBOTT VLAHOS

  Marcia White, in a former life was a nurse and political aide, but for the past 12 seasons – she has been SPAC’s president and executive director.

In February of this year – she announced that this 50th Anniversary season – would be her last and she will retire at its conclusion. Marcia was appointed the president of SPAC in 2005 and is credited for leading major renovations, bringing the facility out of the red and maintaining SPAC’s classical offerings.

  Nadine Sierra makes her debut with the Boston Symphony Orchestra and her first appearance at Tanglewood tomorrow night as part of the festival’s opening weekend concerts. Tomorrow night’s concert will hear the American singer in her acclaimed account of the soprano soloist’s role in Orff’s Carmina Burana. Jacques Lacombe will conduct the performance.

Praised for her vocal beauty, seamless technique, and abundant musicality, Sierra is being hailed as one of the most promising emerging talents in the opera world today. She is already making a name for herself through her performances with top opera companies and symphony orchestras around the world.

  Barrington Stage Company, a professional award-winning Equity regional theatre located in the heart of the Berkshires, in Pittsfield, MA, was founded in 1995. Barrington Stage’s mission is three-fold: to present top-notch, compelling work; to develop new plays and musicals; and to find fresh, bold ways to bringing new audiences into the theatre—especially young people.

On their two stages they present new plays and musicals created by the best theatrical minds working today as well as classics.

Julianne Boyd is the co-founder and Artistic Director of Barrington Stage and she joins us now with an overview of the season.

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