rob edelman

Rob Edelman: Barry Jenkins

Jan 16, 2017

Of all the fine films that won theatrical releases this past year, one title for me stands at the very top of the pack. That is MOONLIGHT, directed and written by Barry Jenkins. 

Rob Edelman: Hot Docs

Jan 9, 2017

I’ve said it before and I certainly will say it again: These days, an endless number of new documentaries examine a rainbow of subjects. Here are a few just-released or about-to-be-released-to-home-entertainment documentaries that have especially intrigued me. 

Rob Edelman: Bring Out The Old, Bring In The Old

Jan 2, 2017

Welcome to the New Year! And given an event that is set to occur in a few weeks-- on January 20th, to be exact-- this is as good a time as any to cite a film that came to theaters near the end of what now is last year. This film is scripted and directed by Warren Beatty, who also stars. Beatty soon will be celebrating his 80th birthday, and it is his first film in 15 years. The title is RULES DON’T APPLY and, given its central character, RULES DON’T APPLY is a perfect description for this film and its central character.

Rob Edelman: American War Films

Dec 26, 2016

Times change and the world changes but, in certain cases, nothing really changes. And this just may relate to the content of a film that has come to theaters this fall, and which offers a heartfelt ode to the American soldier in World War II. The film in question is HACKSAW RIDGE, directed by Mel Gibson, the fact-based tale of Desmond Doss, played by Andrew Garfield: a U.S. Army medic and conscientious objector who earned the Medal of Honor for his derring-do during World War II’s Battle of Okinawa.

Rob Edelman: Cinerama Spectacular

Dec 19, 2016

These days, not all home entertainment is rented, downloaded, streamed... Some consumers and film lovers still purchase DVDs and Blu-rays and, if you are looking for an unusual holiday gift, might I suggest two new-to-DVD and Blu-ray titles from Flicker Alley.

Rob Edelman: Boomerang!

Dec 12, 2016

These days, director Elia Kazan is best-remembered for his classic, highly influential 1950s features, including A STREETCAR NAMED DESIRE, ON THE WATERFRONT, and EAST OF EDEN. However, one of his earliest screen credits is too-often overlooked, but is well worth discovering. It is titled BOOMERANG!, it dates from 1947, and Kino Lorber recently released it to home entertainment.

Rob Edelman: Ida Lupino

Dec 5, 2016

From the early 1930s through late 1970s, multi-talented British-born Ida Lupino acted onscreen and on television here in the U.S. She was at her best playing strong-willed, neurotic and cynical (but occasionally vulnerable) heroines in such films as HIGH SIERRA and THEY DRIVE BY NIGHT, both with Humphrey Bogart; THE LIGHT THAT FAILED, with Ronald Colman; and THE SEA WOLF, with Edward G. Robinson and John Garfield. And she is cast to perfection in ROAD HOUSE, released in 1948, which recently came to home entertainment from Kino Lorber.

Rob Edelman: Different Films

Nov 28, 2016

Right now, the heavy hitters-- translation: the high-profile Academy Award hopefuls-- are debuting in theaters. Two of the very best are as different as old-fashioned Hollywood fantasy-gloss and slap-in-your-face reality.

Rob Edelman: Black Life

Nov 21, 2016

A number of high-quality, deservedly-acclaimed films that illuminate the lives of black Americans are arriving in movie theaters. They include MOONLIGHT, one of the very best films of the year: an intimate, moving character study about Chiron, a young black male who is an outsider in his world.

Rob Edelman: Andrzej Wajda

Nov 14, 2016

Andrzej Wajda is the best-known and most revered Polish filmmaker of his generation. His films are daring, provocative, and personal. Plus, many are decidedly political in that they focus on individuals who valiantly resist repression or ponder the realities of war and heroism.

Rob Edelman: Arrival

Nov 7, 2016

These days, so many science fiction films either dazzle viewers with special effects or terrify them with doomsday-laden end-of-the-world scenarios. So it is a happy surprise to find one that is genuinely intelligent, emotionally powerful-- and one of the best films of the year. Such a film is ARRIVAL, directed by Denis Villeneuve, which presently is arriving in movie theaters.

It is no exaggeration to observe that ALL GOVERNMENTS LIE, Fred Peabody’s provocative new documentary, is extremely timely as it puts forth its point-of-view. That point-of-view may not be original, but it still is well-worth repeating and pondering. And that is that politicians tell untruths as frequently as the daily sunrise.

Rob Edelman: Barry/Barack/Michelle

Oct 24, 2016

Films about real American presidents and first ladies currently are playing in film festivals and earning theatrical play. Two that were screened at the Toronto International Film Festival are LBJ, featuring Woody Harrelson as Lyndon Baines Johnson, and JACKIE, with Natalie Portman as Jackie Kennedy. And as his eight years in the White House fade into history, Barack Obama is a central character in two celluloid biopics which deal with his pre-presidency. One, titled BARRY, also was screened in Toronto. Another, titled SOUTHSIDE WITH YOU, came to theaters at the end of August.

Rob Edelman: Hot-Off-The-Presses Holocaust Films

Oct 17, 2016

It’s been said before and it is well-worth repeating: As time passes, the world is becoming increasingly separated from World War II and the Holocaust. The youngest concentration camp survivors now are senior citizens and Elie Wiesel, one of the most justifiably celebrated survivors, recently passed away. His death at age 87 serves as a sobering reminder of the passage of time and the fear that the Holocaust just may fade into history.

Rob Edelman: Controversy: The Birth Of A Nation

Oct 10, 2016

The title of a new film, THE BIRTH OF A NATION, is a purposefully biting take on the D.W. Griffith film of the same name, released over a century ago, in which the heroes are members of the Ku Klux Klan. And it is one of the season’s most anticipated and justifiably hyped new releases. This latest BIRTH OF A NATION also is extremely controversial. In fact, it just may be the most debated American film since THE PASSION OF THE CHRIST in 2004.

Rob Edelman: One More New Documentary

Oct 3, 2016

For quite a while now, a wide range of superior documentaries have examined a wide range of issues. Among the latest is THE RUINS OF LIFTA, a thoughtful, multi-layered depiction of contemporary Israeli-Palestinian relations that has just opened theatrically in Manhattan and will be doing so momentarily in Los Angeles.

Rob Edelman: Variety In Toronto

Sep 26, 2016

We now are entering the annual fall film festival season, and an array of Oscar-hopeful features are screening at festivals in anticipation of their theatrical play. This year at the Toronto International Film Festival, the hype involved a host of high profile films and red-carpet-strolling movie stars. Two, for example, star Amy Adams. NOCTURNAL ANIMALS may feature a potentially intriguing storyline and an eye-opening opening sequence. But dramatically, it fell apart for me. On the other hand, ARRIVAL is a sci-fi tale that oozes intelligence and should be a well-deserved Oscar contender.

Rob Edelman: Snowden

Sep 19, 2016

There are two approaches to viewing SNOWDEN, the latest Oliver Stone film, which has just opened theatrically. One is to comment on the film’s artistry and cinematic aesthetic, and compare it to its creator’s previous work. The other is to reflect on what Stone is telling us about Edward Snowden, the controversial National Security Agency contractor who became a fugitive upon revealing America’s illegal surveillance of its citizens. And also, what is this film telling us about our world in 2016: our values, our feelings about privacy, and the manner in which a government can control the flow of information to its citizens?

Rob Edelman: “Politically Correct” History

Sep 12, 2016

In countless films that are produced in the present but whose stories are reflections of the past, “politically correct” depictions have increasingly been the norm. And so a film set during World War II will feature black GIs fighting side-by-side with whites, even though the American military at the time was segregated. For that matter, a scenario set at any time in history just may feature an integrated cast, characters from a range of races, and relationships between these characters-- even though such intermingling does not represent the facts of history.

Rob Edelman: Woody Through The Years

Sep 5, 2016

CAFÉ SOCIETY is the kind of film that I might see, and moderately enjoy, and quickly forget. But this is not the case. The reason is that it is written and directed by Woody Allen. And Woody Allen’s films, whether they are classics or embarrassments or anything in between, always stick in my gut. 

Rob Edelman: Kirk Douglas

Aug 22, 2016

During my just-concluded trip to London, I was not surprised to find that Kirk Douglas was the cover-boy on the BFI Southbank’s September/October film screening program. He certainly deserves to be feted, and not just because he will be celebrating his 100th birthday on December 9. For Kirk Douglas is one of his generation’s premier movie stars.

Rob Edelman: Westerns New And Old

Aug 15, 2016

Given its title and storyline, LES COWBOYS-- a new film that has been released theatrically here in the U.S.-- has to be categorized as a Western. This is so even though LES COWBOYS was made in France, is set in non-American locales, and unfolds not in the 19th century American West but in more contemporary times.

In THE THIN BLUE LINE, a landmark documentary from 1988, filmmaker Errol Morris conclusively proves that a man named Randall Adams was wrongly convicted of murder and dispatched to prison. Adams is victimized by a corrupt justice system in Dallas County, Texas, and, as a direct result of Morris’s investigative skills, he wins his freedom. Such is the power of filmmaking at its very best.

When one thinks of Humphrey Bogart, one thinks of "The Maltese Falcon", "The African Queen", "The Treasure of The Sierra Madre", and, of course, "Casablanca". However, one worthy film starring Bogie has finally become available on home entertainment. It is titled "Deadline - U.S.A" , it dates from 1952 and, while admittedly not of the caliber of a "The Maltese Falcon" or "Casablanca", it is a fine film that for one reason or another is too little-known.

Rob Edelman: Indian Point

Jul 25, 2016

At this time of the year, escapism rules in movie theaters. And this is understandable. It’s the summer, and people are searching for summer fun. Now granted, some seasonal theatrical releases are satisfying, but it’s been my experience that the majority are not. Yet the point here is that films that tackle serious issues are occasionally arriving onscreen. One of them, a documentary titled INDIAN POINT, not only is information-packed and provocative, but it is a film with a local connection.

Rob Edelman: Todd Solondz, Wiener-Dog, And More

Jul 18, 2016

Upon first hearing the title WIENER-DOG, written and directed by Todd Solondz, one of the most idiosyncratic and fiercely independent American filmmakers of the past two decades, I was immediately reminded of WELCOME TO THE DOLLHOUSE, his breakthrough feature, which dates from 1995. WELCOME TO THE DOLLHOUSE remains a brilliant film, not just one of the best of its year but a top film of its decade.

Rob Edelman: Fastball

Jul 11, 2016

One does not have to be a sports fan, or a baseball fan-atic, to thoroughly enjoy FASTBALL, a documentary which has just been released to home entertainment. FASTBALL offers up a knowing portrait of baseball in the 21st century. Now sure, a major part of that portrait is the importance of a pitcher challenging a batter by throwing a baseball 100-plus miles per hour. But on a broader scale, FASTBALL offers an overview of how the world is constantly, endlessly changing, on so many levels. Plus, that change should not be judged, particularly by those who have been around for decades and who fondly recall what the world was like in the so-called “good old days.”  

Rob Edelman: Two Views Of New York

Jul 4, 2016

New York City is a city of vast extremes. On the one hand, you have celebrities. You have glitter. You have Big Money and Manhattan Towers. You have the power and influence that emanates from Wall Street and Madison Avenue.

Rob Edelman: Germans...And Jews...And Brigitte Helm

Jun 27, 2016

Given the reality of the Holocaust-- and this truth is forcefully examined in SON OF SAUL, the 2015 Best Foreign Film Academy Award winner-- one might wonder why there presently is a rapidly-growing Jewish population in Berlin. Granted, over seven decades have passed since the end of World War II but, still, by settling in Berlin, are Jews somehow ignoring that country’s less than stellar history?

Rob Edelman: Finding Controversy

Jun 20, 2016

FINDING DORY, the latest Disney-Pixar animated feature to come to movie theaters, has been causing quite a bit of pre-release controversy. In the film’s trailer, there is an ever-so-brief shot of a little girl, a baby carriage, and two women who apparently are her lesbian parents.

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