The final mainstage production of this summer’s Williamstown Theatre Festival line-up began previews last night. Artistic Director Mandy Greenfield’s inaugural season ends with Eugene O’Neill’s final masterpiece, A Moon for the Misbegotten. The show will run in Williamstown through August 23rd.

Gordon Edelstein, Artistic Director at the Long Warf Theatre in New Haven, is directing and brings years of O’Neill experience to this invigorating look at what he calls “one of the great sad love stories in modern dramatic literature.”

A Moon for the Misbegotten stars Audra McDonald as Josie Hogan and Will Swenson as James Tyrone Jr. Married couple McDonald and Swenson are two of the best and most in-demand actors working today. Swenson recently left the Broadway revival of Les Miserables after playing Javert for more than a year, other New York credits include Murder Ballad, Little Miss Sunshine, Priscilla Queen of the Desert, and the acclaimed Public Theater production of Hair which ran off-broadway, moved to Broadway for a summer of love, and toured the country. Will was nominated for a Tony Award for his portrayal of Berger. He is also a film director.

Audra McDonald has won a record 6 Tony Awards - one for her work in each of the following: Carousel, Master Class, Ragtime, A Raisin in the Sun, Gershwin’s Porgy and Bess, and Lady Day at Emerson's Bar and Grill. She is the only person to have won one in each acting category. She’s also a television and film actress, featured in the new Meryl Streep movie, Ricki and the Flash, written by Diablo Cody and directed by Jonathan Demme.

  The world Premiere of Mother of the Maid is now playing at Shakespeare & Company’s Bernstein Theatre through September 6th.

Penned by the Emmy award-winning writer of HBO’s Olive Kitteridge, Jane Anderson, this powerful and wry comedy follows the tale of Joan of Arc, as seen through the eyes of her mum who is doing her very best to accept the fact that her daughter is different.

Parenthood, religion, sexuality and politics all play a role. Tina Packer stars as the Mother of the Maid. We are joined now by the writer Jane Anderson and director Matthew Penn.

Shervin Lainez

  Duncan Sheik and Kyle Jarrow’s new musical, Noir, is the final Martel Musical of New York Stage and Film and Vassar College’s Powerhouse Theater season. Sheik and Jarrow previously worked together on the musical Whisper House.

Noir tells the tale of a heartbroken man in LA who discovers and involves himself in a mystery unfolding just beyond his paper-thin walls.

Duncan Sheik joins us to talk about Noir; the Deaf West Theatre production of Spring Awakening (his Tony Award winning show penned with Steven Sater) coming to Broadway in the fall and about his musical version of American Psycho (with book by Roberto Aguirre-Sacasa) which comes to Broadway early in 2016.

  At their childhood home after their mother’s funeral, Nate gets high and Jeremy focusses on work waiting for him in the city -- both brothers trying to send their minds anywhere but where they are.

This is the starting point of A Little More Alive - a Musical Theatre Lab production currently running on Barrington Stage Company’s St. Germain Stage in Pittsfield, MA through August 8th.

The musical, directed by Sheryl Kaller and featuring actors Van Hughes, Daniel Jenkins, Nicolette Robinson, Michael Tacconi, and Emily Walton, tells the story of dealing not only with the devastation of loss but the revelation that the person who has died had a secret. A secret that warps all of their memories of her and both monumental and mundane moment in their lives.

Nick Blaemire wrote the show - book, music, and lyrics. We speak with him here about the process.

  I Saw My Neighbor On the Train and I Didn’t Even Smile is a world premiere play by Suzanne Heathcote currently running at The Berkshire Theatre Group’s Unicorn Theatre in Stockbridge, MA. The production is directed by Jackson Gay world premiere, co-produced by New Neighborhood.

This is Rebecca’s life: she wakes up, eats a sensible breakfast, wraps herself in three layers, drives to the train station, commutes to her bookkeeping job in the city, watches the clock, goes home, cooks dinner for her domineering mother, watches TV, and falls asleep grieving for her dead dog. Every day is the same as the next until Rebecca’s underachieving brother begs her to take care of her troubled niece—and she does what she always does—she lets it happen. In an unforgivingly bitter month, three generations of women with nothing in common, except a deeply buried ache, try to keep the cold away.

I Saw My Neighbor On the Train and I Didn’t Even Smile features longtime BTG artist Keira Naughton as Rebecca, as well as Linda Gehringer, and Ariana Venturi who join us.

*The audio for this interview is lower quality than our other posts. Our first recording failed and we had to retrieve this from a back-up source. 

Paul Fox / courtesy Williamstown Theatre Festival


In a haunting new musical created by writer Daniel Goldstein, Obie Award-winning composer Michael Friedman, and director Trip Cullman, Ellen Rabinowitz sets out to understand her past after she discovers an enigmatic photograph while cleaning out her deceased grandmother’s home in Troy, NY.

As she chases the truth about the soldier featured in the photo, Ellen is drawn into a tangle of historical facts and mysteries that lead her to surprising love stories and unexpected truths.

The world premier musical, Unknown Soldier, will run on The Nikos Stage at The Williamstown Theatre Festival in Williamstown, MA July 30th through August 9th.

We are joined at The Linda by cast-members Lauren Worsham, Jessica Phillips, and Clara Young as well as composer and lyricist, Michael Friedman and Music Director, Marco Paguia.

Facebook: Silverthorne Theater Company

A symposium this weekend at Greenfield Community College will explore stereotyping and underrepresented cultures in American theater.

Lucinda Kidder of the Silverthorne Theater Company believes American theater has been slow in recognizing plays produced by minority communities. To further that discussion, the company is hosting a symposium titled “I’m Not Who You Think I Am.”

  Now through August 2nd, New York Stage and Film and Vassar College’s Powerhouse theatre presents The Light Years, a new play by award-winning play-making company The Debate Society.

Spanning 40 years and set at the Chicago World’s Fair, The Light Years has been developed over several years through the unique collaboration process The Debate Society Members writer/performer Hannah Bos, writer/performer Paul Thureen, and director/developer Oliver Butler.

Oliver Butler’s recent directing credits include Will Eno’s The Open House at the Signature Theatre Company - for which he won an OBIE Award for Direction; the New York City Center Encores! Off-Center production of Jonathan Larson’s Tick, Tick, Boom starring Lin-Manuel Miranda, Leslie Odom Jr. and Karen Olivo and the world premieres of Daniel Goldfarb’s Legacy at the Williamstown Theatre Festival - which was part on their Nikos Stage mere days ago.

He joins us to talk about The Light Years, what is required from a director for a quick switch between projects, and audiences' intense reaction to musicals.

  Blair Underwood stars as Blue in the new play, Paradise Blue - a drama by Dominique Morisseau receiving its World Premiere on the Mainstage at The Williamstown Theatre Festival. The production is directed by Ruben Santiago-Hudson and runs through August 2nd.

Blair Underwood is known for his roles on L.A. Law, The Event, The New Adventures of Old Christine, and is currently on Marvel's Agents of S.H.I.E.L.D.. He was last on Broadway playing Stanley Kowalski in A Streetcar Named Desire.

Tony-Award winner Ruben Santiago-Hudson was at The Williamstown Theatre Festival in 2002 with his amazing one-man show, Lackawanna Blues. He returns to WTF this summer directing Blair Underwood, De’Adre Aziza, and Andre Holland in the world premiere of Paradise Blue - a drama from Dominique Morisseau.

Blue (Underwood), a gifted trumpeter, contemplates selling his once-vibrant jazz club in Detroit’s Blackbottom neighborhood to shake free the demons of his past and better his life. But where does that leave his devoted Pumpkin, who has dreams of her own?