theater

  The new play Veils opens on Thursday at the Barrington Stage Company on the Boyd-Quinson Mainstage. This morning we meet the playwright, Tom Coash.

When Intisar, an African American Muslim student, arrives in Cairo for a year abroad, she hopes finally to be understood. She’s quickly enlisted by her liberal Egyptian roommate to help create a controversial blog debating the practice of wearing veils. Soon mounting political unrest threatens their new-found friendship.

Playwright, director, and dramaturg Tom Coash spent four years teaching playwriting at The American University in Cairo, Egypt. He was a Co-founder of the Offstage Theatre in Charlottesville, VA and has worked for such theaters as the Manhattan Theatre Club, Stageworks/Hudson, and Actors Theatre of Louisville.

www.anthampton.com

    

The “fourth wall” is the imaginary barrier that separates the actors from the audience in a traditional theater production. When it’s broken, the audience is shocked into an awareness of the role they play in supporting the spectacle at hand.

In British artist Ant Hampton’s new production, The Extra People, the fourth wall is so thin as to be nearly imperceptible, with the line between performer and audience equally unclear. The Extra People was commissioned by EMPAC and will premiere in the space where it was developed via the artist-in-residence program.

The piece will begin at 7 pm tomorrow and cycle on the half hour until 10 pm. Ant Hampton joins us to tell us more.

http://www.concordmusicgroup.com/

  Tony and Emmy Award winning star Kristin Chenoweth will perform with The Boston Pops Esplanade Orchestra in The Koussevitzky Music Shed at Tanglewood.

Chenoweth most recently wowed audiences in Roundabout Theatre Company's production of On the Twentieth Century. During that run she co-hosted the Tony Awards. Other Broadway credits include You're A Good Man Charlie Brown and Wicked. On television she's popped up often, notably on Glee, The Good Wife, and Pushing Daisies.

Enrico Spada

  An imagined version of true events, Red Velvet is the story of Ira Aldridge, the first African-American actor to play Othello on the English stage in 1833. In the story lines are blurred between race, friendship, betrayal and art.

The powerful play is currently running at Shakespeare & Company in Lenox, MA and stars OBIE Award-winning actor John Douglas Thompson as Ira Aldridge. 

Red Velvet was written by Lolita Chakrabarti and directed at Shakespeare & Company by Daniela Varon.

  This week, Albany Civic Theater opens a production of Patrick Hamilton’s suspenseful drama, Angel Street.

Angel Street tells the story of the Manninghams who live on Angel Street in 19th Century London. As the curtain rises, all appears the essence of Victorian tranquility. It is soon apparent however, that Mr. Manningham, a suavely handsome man, is slowly, intentionally, driving his devoted wife, Bella, to the brink of insanity.

Inspector Rough from Scotland Yard is convinced that Manningham is a homicidal maniac.

Gradually the inspector restores Bella's confidence in herself and as the evidence against Manningham unfolds, theater goers are treated to some of the most brilliant, suspenseful sequences in modern theater

The production at Albany Civic Theater is directed by Jennifer Van Iderstyne who joins us now along with Kevin MacNamara who plays Jack Manningham in Angle Street and John Sutton who plays Inspector Rough.

Audrey Kupferberg: Salt Of The Earth

Aug 21, 2015


These days, documentary films are in fashion.  As recently as a decade ago, if you were at a cocktail party and began talking about a documentary you had just seen, your friends or colleagues would have moved towards the buffet table to avoid hearing what you had to say.  Documentaries were considered boring.  With the exception the films of Michael Moore, or Al Gore’s AN INCONVENIENT TRUTH, that could inspire some exciting political conversation, the majority of factual films took a back seat to fiction films.

The bewildering journey of finding love in the modern world sets the premise for Terrence McNally’s bittersweet comedy, Frankie And Johnny In the Clair de Lune. The show is running on the Berkshire Theatre Group’s Fitzpatrick Mainstage in Stockbridge, MA through August 22nd.

After a one-night rendezvous in Manhattan's West Side, Johnny, a compulsive, starry-eyed, short-order cook, is convinced he has found his life companion in Frankie, a wisecracking waitress.

Frankie’s poor history with men leaves her hesitant to commit, but as the night progresses, she lets her guard down and an unlikely romance begins to blossom.

The contemporary love story stars Angel Desai and Darren Pettie and is directed by Karen Allen.

This past April, Capital Rep announced the winners of its inaugural Young Playwright Contest and the five winning plays are being produced this week and through the weekend.

From costumes to props and sets all designed and built by the REP’s staff, these productions are giving young peoples’ voices a chance to be heard. The plays are directed by Margaret Hall, theREP’s assistant to the artistic director, and performed by theREP’s new Summer Stage Young Acting Company.

Director Margaret Hall and student playwright Jaimie Gaskell join us to discuss how art and community is being fostered and grown.

Gaskell is a tenth grade student at Greenwich Jr./Sr. High School. Her play, Y.A.P.’s Homeless Youth Hostel, takes us into a residence where protagonists from Young Adult novels await the arrival of their prophecy from the United States Post Office.

Herbert Wolff Reviews "Mother Of The Maid"

Aug 13, 2015

The story of Joan of Arc has evoked mythology and themes for centuries, and has inspired numerous playwrights – including Shakespeare, Voltaire, Bertolt Brecht, George Bernard Shaw, and Maxwell Anderson – to craft interpretations of the legends that surround the Maid of Orlean.

  Tony winner Mary Louise Wilson -- forever dubbed "the best thing in it" in review after review – has written a memoir about her life in the theatre, movies and television. My First Hundred Years in Show Business tells Wilson’s story through the eight-year journey of turning a memoir of Vogue editor Diana Vreeland into the career-peak triumph Full Gallop, the show that made Wilson a star in her 60s.

Mary Louise Wilson's numerous award-winning roles include Vera Joseph in 4000 Miles at Lincoln Center, Big Edie in Grey Gardens (Tony Award), Fraulein Schneider in Cabaret (Tony nomination), Queen Elizabeth in The Beard of Avon (Drama Desk nomination) and Diana Vreeland in Full Gallop (Drama Desk Award). Her writing has appeared in The New Yorker and The New York Times, and she teaches acting at Tulane University. She is fresh from finishing a run on stage in the hit revival of On The Twentieth Century.

This Book Show was recorded at The Morton Memorial Library in Rhinecliff, NY, presented by Oblong Books and Music.

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