yehuda hanani

Casals in 1917 at Carnegie Hall
George Grantham Bain collection at the Library of Congress

In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue a series of conversations about fakes, forgeries, and lost or misattributions - discussing a François Couperin suite that was actually written by ​Paul Bazelaire.


  In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue a series of conversations about fakes, forgeries, and lost or misattributions.

 

Close Encounters with Music will present Russian and Soviet Film Music: A Tuneful Survey with UAlbany Professor Timothy Sergay at The Mount in Lenox, MA on Sunday, April 22.

  In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue a series of conversations about fakes, forgeries, and lost or misattributions.

'Sumer is icumen in' - old sheet music
Image taken from Summer Canon [Reading Rota]. Originally published/produced in England [Reading Abbey, co. Berks.]; mid 13th century. Held and digitised by the British Library, and uploaded to Flickr Commons.

In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue a series of conversations about fakes, forgeries, and lost or misattributions.

In this week’s "Classical Music According to Yehuda," Alan Chartock and Yehuda Hanani continue a series of conversations about fakes, forgeries, and misattributions - sharing music by Fritz Kreisler from the album "Kreisler Plays Kreisler."


  In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani begin a series of conversations about fakes, forgeries, and misattributions.

 

In this segment we hear Trumpet Voluntary Suite in D Major by Jeremiah Clarke (recorded by the Royal Philharmonic Orchestra) which was long attributed to Henry Purcell for years.


  In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani conclude their series of conversations about quoting, sampling, borrowing in music, discussing a time when Franz Schubert stole from himself.


    In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue their series of conversations about quoting, sampling, borrowing in music.

Close Encounters with Music’s next presentation, Souvenir de Florence-- An Italian Holiday Celebration will take place on December 9.


  In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue their series of conversations about quoting, sampling, borrowing in music.

 

Close Encounters with Music’s next presentation, THE POLITICS OF OPERA with author and scholar Mitchell Cohen will take place on Nov 12.

In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue their series of conversations about quoting, sampling, borrowing in music.


  In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue their series of conversations about quoting, sampling, borrowing in music.

In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue their series of conversations about quoting, sampling, borrowing in music.


  In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue their series of conversations about quoting, sampling, borrowing in music.

  In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue their series of discussions about women who influenced classical composers - speaking about the two women who inspired Symphonie Fantastique by Hector Berlioz.

  In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue their series of discussions about women who influenced classical composers. This week’s composer is Ludwig van Beethoven.

  In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue their series of discussions about women who influenced classical composers. This week’s composer is Ludwig van Beethoven.

In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani pick up where they left off last time when Yehuda told us about the life and tawdry adventures of Alma Mahler. Today, he shares some of her music and contrasts it with that of her first husband, Gustav Mahler.

  In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue their conversation about female composers - focusing on Nadia and Lili Boulanger.

Music - a portion of Lili Boulanger’s Psalm 130 - Du fond de l’amibe recorded by  American Symphony Orchestra, conducted by Leon Bostein.


  In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue their conversation about female composers - focusing on Maria Agata Szymanowska.

Yehuda’s Close Encounter with Music series begins their new season on October 15th with the Chamber Orchestra Kremlin in a program of Haydn, Tchaikovsky, and Shostakovich.


  In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue their conversation about female composers - focusing on Clara Schumann.

  In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue their conversation about female composers - focusing on Fanny Mendelssohn.


  In this week’s Classical Music According to Yehuda, Alan Chartock and Yeuda Hanani continue their conversation about female composers focusing on Hildegard von Bingen and sharing her "O viridissima virga" performed by the women’s section of Voices of Ascension.

  In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani begins a series of conversations about female composers.

The Carey Institute for Global Good and Yehuda Hanani have teamed up to produce the 6th Annual Catskill High Peaks Music Festival which will take place from August 8th-18th at the Carey Institute. The Festival combines a Residency program for 50 hand-picked emerging artists from around the world with evenings of classical music concerts for the public.

The mission of Catskill High Peaks Festival is to infuse students with love and enthusiasm for their musical vocation, instill a spirit of musical adventure and discovery, and imbue an appreciation for past traditions.

To tell us more, we are joined this morning by cellist and Artistic Director Yehuda Hanani and Hannah Hannani - Vice President of Close Encounters with Music and co-founder of the Catskill High Peaks Festival.

  In this week’s Classical Music According to Yehuda - Alan Chartock and Yehuda Hanani continue their exploration of Jewish music, playing Bruch's Kol Nidrei - op. 47 with solo performed by Pierre Fournier.

  In this week’s Classical Music According to Yehuda, Alan and Yehuda discuss the history of the piano recital.


  In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue their discussion about Igor Stravinsky, beginning a two-part conversation about The Rite of Spring.

  In this week’s Classical Music According to Yehuda, Alan Chartock and Yehuda Hanani continue their discussion about Igor Stravinsky, sharing music from Petrushka.

  In this week’s Classical Music According to Yehuda, Alan Chartock asks Yehuda about music he discovered in France this past summer.

In the segment we hear an excerpt from Joseph-Ermend Bonnal's "Quatuor à cordes No 1: Assez vif, âpres et sarcastique" and "Les Docks" from Vincent Beer Demander's Massalia Concerto.

  The Catskill High Peaks Music Festival is a 10-day chamber music festival which boasts a schedule of concerts, master classes, and lectures with performances by internationally renowned violinist Peter Zazofsky, pianist and conductor Michael Chertock, as well as Yehuda Hanani, the acclaimed cellist and festival director.

With regional inspiration from Frederick Church to Mark Twain, the programming uses music to inspire current artists and audiences to continue the area’s tradition of creative work. This Summer brings artists from around the globe, including China, Hong Kong, Taiwan, Mexico, France, Japan and Korea.

This year’s events will take place from August 9th - 19th amid the rolling hills, intimate parlors, and performance halls of The Carey Institute for Global Good’s 100+ acre campus in Rensselaerville, NY.

Here now to tell us more are Yehuda Hanani - Internationally Performing Cellist, Director of the Catskill High Peaks Music Festival, and founder of Close Encounters with Music; Gareth Crawford - President and CEO of the Carey Institute for Global Good; Carol Ash – Board Chair for the Carey Institute for Global Good.

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